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With an official hybrid plan for the spring semester released, most of us can’t wait to return to campus. While there are many exciting opportunities to look forward to, why wait? What if you can’t return come spring 2021? There are many opportunities available now for you to enjoy in Baltimore, both in person and remotely.
Last Friday, Brian Eno released Film Music 1976 – 2020, his first-ever compilation of music for film and television. This album spans five decades of his work in cinema, all the way from music he wrote for the 1976 movie Sebastiane, to his score for We Are as Gods, a documentary released earlier this year.
The baby factory demands its revenue. Natsuki and all who are around her know this expectation. They must produce a baby at all costs because society must be prolonged, and the cycle must continue.
The Writing Seminars department is nationally renowned for its stellar program and professors. Although some of those prominent in the department are on the older side, there is a constant flow of younger talent coming through the ranks. Nobody is a more emphatic example of this than Assistant Professor Danielle Evans, who just released her third book, The Office of Historical Corrections, and was recently profiled by the New York Times.
There’s a reason that they say to never meet your heroes — they’re sure to disappoint you.
“If I could have every thought / As though for the first time / I’d never get sick of / The patterns of my mind / But I am stuck / I am stuck.” So begins Someone New, Helena Deland’s recently released album.
Can chess make good TV? The surprising answer, as Netflix’s The Queen’s Gambit proves, is unequivocally yes. Perhaps only when it’s a drama as well-executed as this one, though.
Blood of Zeus is Netflix’s newest original anime series. Released in late October, the series combines anime-style animation with themes and characters from Greek mythology.
On the night of Oct. 30, the Hopkins Stand-Up Comedy Club (fondly known as SUCC) held its third annual Halloween comedy show, entitled, “Stand-Up Comedy Halloween Show III (This Time It's Personal).” Needless to say, this show took place virtually for the first time ever via YouTube livestream with the performers and a few audience members present on a Zoom call. Some of the members of the club continued their tradition of dressing up for the show, with costumes including a baby Yoda, a blue wig and a colorful unicorn hood.
Most of us, myself included, have surrendered to the monotony of an exclusive fall/winter pajama collection. It could very much be that the connective energy of the current digital space allows us to remain creatively engaged from home.
Of all the cooking shows in the world, the one I was the most excited to see was The Great British Baking Show, which released its newest season last month on Netflix (with new episodes out every week). It’s one of my favorites; there’s something about its blend of warmth, camaraderie and relative lack of competitiveness (and tons of sugar) that sets it apart from the fiery spirit and tense drama of other cooking shows. Considering that it’s become an international phenomenon, currently in its 11th season, there appear to be a lot of people who share my fascination.
This October, the Baltimore Museum of Art (BMA) decided to sell Andy Warhol’s The Last Supper, Brice Marden’s 3 and Clyfford Still’s 1957-G. The selling process, known as deaccessioning, is part of a growing trend among art museums to diversify their collections.
At first glance, Netflix’s Rebecca looks promising. It has extravagant settings, enticing suspense and a sweeping romance. Surely, the colorful French Riviera and rugged English countryside seem like welcome escapes from quarantine life. The movie has a stylish, modern look, not to mention star power. Starring as the titular characters Mrs. de Winter and Maxim de Winter are Lily James and Armie Hammer, and brought in to direct is Ben Wheatley (High-Rise, Kill List).
Performing arts groups are a staple of student life at Hopkins. It’s hard to imagine what life on campus would be like without weekend plans to attend The Rocky Horror Picture Show, laughter-filled nights in Arellano Theater with the Stand Up Comedy Club or plays produced by the Witness Theater and Barnstormers.
Emily in Paris is Netflix’s latest top 10 easy watch. At just 10 episodes, each under half an hour long, you would be far from alone if you watched the whole series in under a day. The show focuses on Emily Cooper (Lily Collins) who is sent by her marketing firm in Chicago to be the “American perspective” at the company’s office in Paris after her boss discovers that she’s pregnant and can’t go herself.
COURTESY OF SOPHIA LIN
Hoptoberfest — what all of us freshmen have heard was a relaxing, fun-filled way to welcome autumn, get free T-shirts and meet new people — looked a little different this year. Instead of the usual in-person experience, we had a week of virtual events to look forward to, culminating in the annual Hoptoberfest concert on Friday, Oct. 9. Promised to feature “one of the biggest to ever perform for Hopkins” by the Hoptoberfest co-chairs, I was pretty hyped at the idea of some good music to end my week.
Last week, HBO released the movie Charm City Kings, directed by Angel Manuel Soto, on their streaming service HBO Max. Based on the 2013 documentary 12 O’Clock Boys, the film deals with the experiences of young teenager Mouse (played by Jahi Di’Allo Winston) growing up around the dirt bike riding scene in Baltimore. Playing along the lines of a classic coming-of-age story, it follows how he deals with the loneliness, romance and familial clashes but with the nuance that comes with being an impoverished Black kid negotiating adulthood in one of the most segregated cities in America.
Dante Alighieri's Divine Comedy is undeniably a timeless classic. Its grand adventure through the nine gates of hell sparks readers with life and interest. It seems like an out-of-place work for a description of our chaotic times, but I believe it is a lot more relatable to us than we might think in the most unlikely of ways. So what can readers take from this classic besides grand allusions to the past?