Senior Staff Writer Alicia Guevara shares her opinion of the Percy Jackson and The Olympians TV series for Disney+, which released its final episode last Tuesday, Jan. 30.
Here’s the Arts & Entertainment’s selections for this week’s “To watch and watch for.” If you feel anxious about classes, take time to unwind and maybe watch, read or listen to our suggestions!
In Andrew Haigh’s newest film, All of Us Strangers, an adaption of the 1987 novel Strangers by Taichi Yamada, the coexistence of the past and present is explored in a quietly heartbreaking portrait of a lonely writer who is still grieving his dead parents.
Lift, a Netflix-produced action film starring Kevin Hart, has great action sequences and pretty imagery but lacks strong, complex characters and emotional risk.
On Wednesdays, we go to the movie theater. I mean, at least I do. You should too. Regardless, the latest buzz is that the classic high school comedy Mean Girls is making its way back to the theater. No, no, not the original movie. It’s a remake. No, not just a remake of the original. It’s a movie adaptation of the Broadway musical that was a remake of the original movie that was based on a book. Got it? Yeah, me neither.
Welcome back to a new semester! I know that you guys are bored stiff of all the wonderful rest and relaxation you got over the past month and a half, but in case you’re still in denial about the end of winter break, we in the Arts & Entertainment section have got you covered with plenty of fresh picks and new releases.
How do you encapsulate the entirety of an extraordinary life in 2 hours and 11 minutes of film? You do it in the way any person does when they are old and alone at the end of their lives. By sitting back and letting memories, both treasured and painful, flit before your eyes in a frenetic montage of important moments.
21 Savage released his third studio album American Dream on Jan. 12, 2024, alongside a fake biopic trailer which tricked rap fans and critics alike. Though there are a few songs which feel fresh, with expertly constructed flows, the lyrics never live up to the album’s call for personal expression and vulnerability.
At the start of Amazon Prime’s animated show Invincible, Mark Grayson, a half-Korean-American and half-extraterrestrial-species guy, appears to be your typical 17-year-old superhero who’s unlocked a sudden myriad of powers and becomes too optimistic about his ability to make the world a better place.
The creative process for any artist is sacred — this incredibly vulnerable and personal affair is unique to so many artists, and yet local legend Snail Mail (the moniker for solo indie artist Lindsey Jordan) has let fans into her own creative journey with the release of her new extended play (EP), Valentine (Demos).
As we start another year, it's also decidedly the time to reflect on the past year's worth of music releases and trending streaming habits. Initially marketed as a Year in Review in 2013, Spotify Wrapped has engaged its users with a unique presentation of their listening habits over the past year.
Saltburn, the sophomore film of writer and director Emerald Fennell, is a thrilling, campy dark comedy set in the early 2000s English backcountry, taking place in a house by the name of Saltburn.
Not unlike her protagonist, Triet herself boldly defies what is expected of her. In depicting even the most major plot points, she is more eager to stimulate discourse than to satiate traditional tastes.
Was my inner side-braid-wearing, archery-obsessed self from 2012 secretly thrilled at the prospect of a new Hunger Games movie? Admittedly, yes. But I also didn’t want The Hunger Games to become the latest franchise to be recycled, repackaged and presented as new.
Danny Brown’s newest album, Quaranta, is a retrospective piece in which the Detroit rapper analyzes his past 40 years of life, questions how his profession has affected his relationships and ultimately reaffirms his love for expressing himself through music.
Contributing writer Noël Da recounts her experience at the Ethel Ennis Birthday Bash held at Keystone Korner Baltimore on Nov. 29, which celebrated the career of one of the late Baltimore jazz musicians.
This week’s picks include the latest Studio Ghibli film from Hayao Miyazaki, The Boy and the Heron, a historical mystery novel called The Frozen River by Ariel Lawhon, the Pink Friday 2 sequel album from award-winning rapper Nicki Minaj and the Peabody Symphony Orchestra performing Vivaldi, Liszt and Brahms at Miriam A. Friedberg Concert Hall.
Does it feel like every new Netflix release somehow makes it to No. 1 in movies in the U.S. on Netflix? Conveniently, yes. Does every single one of them even deserve to be there? Absolutely not. Will I continue to watch every single one of them? Yes, especially if they’re by David Fincher.
The JHU Theatre Department’s performance of The Clouds riffs on the common objects and struggles of Hopkins students, mapping The School of Athens (or “The Thinkery”) onto Homewood Campus.
When my friend and I burst out laughing at an unintentionally funny jumpscare, I knew that the Five Nights at Freddy’s (FNAF) movie wasn’t going to succeed as a horror movie. Instead, it exists in the weird space where it doesn’t achieve real horror but rather uses subdued scare tactics to achieve a PG-13 rating (and ultimately, get a larger audience for the box office).
