Forget Tiger King. If you’re social distancing and want to see a pet get screwed over, we recommend that you watch Disney+’s Togo (which is about the eponymous sled dog, not the country in West Africa).
I’m five, sitting in the passenger seat of my dad’s old, silver Volvo. It’s that time in your life when you’re still very whole, very undecided and unhurried about who you are.
I entered my senior year of college with several misgivings. I had just spent my junior spring semester abroad at the University of St Andrews in Scotland, and everyone had warned me of what tends to be a difficult transition back to life at Hopkins after months of reckless fun in a foreign continent.
If there’s one thing the coronavirus (COVID-19) pandemic hasn’t completely destructed, it’s the spirit of the arts. We’ve seen it all: viral TikTok snippets, Instagram livestreams, apartment windowsill jam sessions, art-making and concerts brought to you on what has become the most loved and hated platform of our time — Zoom.
In this temporary era of social distancing and quarantine, most of us find ourselves with more time on our hands. Of course, we can fill this time interacting with our families in-person or over the phone, group facetiming (or group zooming) our friends, but there’s definitely a limit to how much time we want to spend interacting with others.
Last week, my journey in quarantine-watching began with the Netflix show Self Made, a miniseries released on March 20. The show explores the life of Madam C.J. Walker, who is considered to be the first self-made female millionaire in the United States.
Childish Gambino live-streamed music from his latest and last album on donaldgloverpresents.com for a few hours on March 15. While I unfortunately missed those hours, I was aware that an album was coming soon. Finally, after four years since the release of the phenomenal “Awaken, My Love!”, Gambino finally put out 3.15.20 (on March 22 — or 3.22.20).
For the first time in nearly 40 years, the St. Francis Missal has its own dedicated exhibition at the Walters Art Museum. Though the museum is currently closed to the public due to the coronavirus pandemic, the exhibition will be on display until May 31.
Unfortunately, this past “spring break,” I wasn’t able to watch my usual batch of five movies at my local theater’s discount Tuesdays. However, fortunately, I was still able to watch the new movie release, Stargirl, from the comfort and safety of my own home through Disney+.
Ever since I saw this mysterious title, Love is Blind, appear on Netflix several weeks ago, I was intrigued. The show seeks to answer that very question, “Is love blind?” by having 15 men and 15 women try to form a love connection without ever seeing each other.
The Inter-Asian Council (IAC) and the South Asian Students at Hopkins (SASH) hosted the Asian Pacific Islander Desi Americans (APIDA) Stand-Up Comedy show at the Arellano Theater on Saturday evening.
The Peabody Institute held a wonderful recital this weekend by pianist and Peabody student Tomasz Robak and his colleagues Mateusz Strzelecki, a violinist, and Christopher Hartung, a baritone singer at Peabody.
Every Monday morning, before I wake up for my first class, I hear the sound of soft footsteps shuffling and the creak of the apartment front door — this is when I know my roommate, Nita Nair, is up bright and early for her shift at the Hopkins Hospital for the Art Cart, an organization on campus that allows volunteers to deliver arts and crafts to admitted patients and their families.
Students for Environment Action (SEA) — in collaboration with Compassion Awareness and Responsible Eating (CARE) and Fiber Arts — hosted its annual sustainable fashion show, Planet Runway, on Saturday, March 7, in the Levering Great Hall. The event, in its cornucopia of vibrant vogue ensembles presented against a backdrop of popular beats, exemplified how sustainable living is always in style.
The Parkway Theater hosted a screening of Premature and an accompanying Q&A and discussion with Zora Howard, an actress and writer for the film, as part of the annual Maryland Film Festival in Baltimore on Feb. 28.
Imagine being transported to Victorian-era England and into an apartment at 221B Baker Street. The wily Sherlock Holmes and his trusty colleague Dr. Watson await your arrival, ready to take you through the comedic adventure that is The Hound of the Baskervilles.
A year since the release of the first Bollywood rom-com centered around an LGBTQ couple, Shubh Mangal Zyada Saavdhan, directed by Hitesh Kewalya, has become the industry’s latest unification of classic, time-honored themes with today’s tolerance.
How can art explore one’s culture and identity? Over the weekend, Hopkins students performed How Palm Wine Sours, a play written and co-directed by junior Similoluwa Aluko.
The Hopkins Stand-Up Comedy Club held its special Leap Year Show at Arellano Theater for its first performance this year. With a strong lineup of six aspiring comics, the show delivered some much-needed laughs during midterm season.
To say that Pete Davidson is one of the more divisive figures in the modern world of comedy is not a very controversial opinion. Nowadays most comedians either do everything they can to avoid offending people or try as hard as possible to offend everybody for the sake of laughs.
