Published by the Students of Johns Hopkins since 1896
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THE WALT DISNEY COMPANY / PUBLIC DOMAIN Love, Victor offers a representation of the experiences of people of color in the LGBTQ community.  

Love, Victor speaks to a rocky reality

By JAVIER JURADO VELEZ | July 3, 2020

Providing a renovation of the queer teen love story Love, Simon from 2018, the newly released TV series Love, Victor takes place in the same setting of Creekwood High School, with new characters and a different story. Victor Salazar, the protagonist of the new show, is a Puerto Rican with a “beautiful cinnamon complexion” from Texas who, despite financial shortcomings, has moved with his family to the more affluent school district of Creekwood High. 

Jay Chou’s "Mojito" suggests that sometimes, it’s okay to be happy

By SHIZHENG TIE | July 1, 2020

International pop star Jay Chou dropped his newest single, “Mojito,” on June 12. Released alongside a vibrant music video in which he wanders through Cuban streets with his band, it was a much-anticipated release for ardent fans of Chou, whose last album Jay Chou’s Bedtime Stories came out in 2016. He has only released four singles since, including “Mojito.” 

PUBLIC DOMAIN Tie considers the potential effects of COVID-19 on future movie-going.

Hit hard by pandemic, the cinema industry may change forever

By SHIZHENG TIE | April 30, 2020

While the obvious public health, social and economic consequences of the coronavirus (COVID-19) pandemic are well known, this period may also change, perhaps permanently, the way we see movies. During Lunar New Year 2019, the Chinese box office totaled $360 million in the first weekend alone. But this year, as over 70,000 theaters closed and major movies were postponed, that same box office grossed only $2 million over the holiday weekend, even though it was previously expected to generate $1 billion globally.

Sachyn/CC BY-SA 3.0 Fiona Apple released her fifth album on April 17.

Exploring Fiona Apple’s Fetch the Bolt Cutters

By ELIZA ZIMMERMAN | April 30, 2020

Intense percussion, frank and breathy lyrics, dog barks. Wispy lyrics spoken into silence with no soundtrack to support them. Hoarse growls full of energy and instruments that fall into hysteria, then pick up a new beat and begin once again. This is how Fiona Apple clangs into view on her fifth album Fetch the Bolt Cutters, a powerhouse of intricate rhythm, rising anger and joy. 

Center for Visual Arts adjusts to virtual classes

By DYLAN KWANG | April 30, 2020

When Hopkins announced that classes were moving online for the rest of the semester, professors in all departments were forced to think of ways to keep students engaged while still being able to effectively teach material. Perhaps this transition was most difficult for instructors in the Hopkins Center for Visual Arts (CVA). Students, some used to working with a variety of mediums from oil painting to charcoal, suddenly had to leave many of their art supplies behind. 

Jeremy Zucker releases debut album, love is not dying

By SEAN GLAISTER | April 26, 2020

Amid the storm of delayed releases to movies and albums, I found myself quite lucky that my most anticipated release of the spring was still on time. On April 17, 24-year-old artist, Jeremy Zucker, released his debut album, love is not dying. 

KELLYWRITERSHOUSE/CC BY-SA 2.0 This week's New Yorker featured a new story from Ben Lerner.

Ben Lerner 's short story “The Media” subverts stylistic norms

By KAYLEE ZOU | April 23, 2020

In the April 20, 2020 edition of The New Yorker, Ben Lerner’s short story “The Media,” appeared under “fiction.” A writer from Topeka, Kan., Lerner is a distinguished poet, writer and editor (though this list is not exhaustive). Lerner has also been a Fulbright Scholar, National Book Award finalist, Guggenheim Fellow and MacArthur Fellow (again, this list is not exhaustive). 

COURTESY OF JOAN MOBILIO Shua at a concert featuring Eurovision 2018 winner Netta.

Eurovision Home Concerts: a pleasing Eurovision Song Contest substitute

By ARIELLA SHUA | April 20, 2020

I’m not an obsessive for many TV shows, with one exception: the Eurovision Song Contest. Criminally underrated in the U.S., Eurovision is an annual arcade of countries and songs. Set up like a combination of the Olympics and American Idol, Eurovision is my annual fairytale. Each year, various European (and guest) nations toy with songs and artists until they come up with a perfect performance. 

GAGE SKIDMORE/CC BY-SA 2.0 Jeffrey Katzenberg founded Quibi as a way to pair high production value with fast entertainment. 

Quibi's launch fails to live up to hype

By MANAVI MONGIA | April 18, 2020

Last week saw the launch of Quibi, a new streaming service. Quibi seeks to differentiate itself through mobile-only, short-form content; the episodes of each series on the app are all under 10 minutes, which is seemingly ideal for our generation’s ever diminishing attention span. 

SIEBBI/CC BY-SA 3.0 Maria Schrader directed the new Netflix show Unorthodox.

Unorthodox paints poignant picture of family and selfhood

By ELIZA ZIMMERMAN | April 14, 2020

I have a weird obsession with German television and movies. In my humble opinion, the actors, production and motivations behind them are incredibly refreshing in comparison to the U.S. market, where shows are renewed season after season until their wonderfully original premise gets stale and formulaic, just to make a little more money. 

PUBLIC DOMAIN Joe Exotic is the central figure in the new Netflix documentary series Tiger King.

Tiger King is an alternate reality to our own incomprehensible reality

By KAYLEE ZOU | April 9, 2020

I entered my senior year of college with several misgivings. I had just spent my junior spring semester abroad at the University of St Andrews in Scotland, and everyone had warned me of what tends to be a difficult transition back to life at Hopkins after months of reckless fun in a foreign continent. 

COURTESY OF BRIAN TANKERSLEY Brandon Woody (right) and Allen "Aldo B" Branch (left) were the first performers in the Creative Alliance's Sidewalk Serenades series. 

Baltimore artists and organizations creatively adapt to ongoing pandemic

By KATY OH | April 7, 2020

If there’s one thing the coronavirus (COVID-19) pandemic hasn’t completely destructed, it’s the spirit of the arts. We’ve seen it all: viral TikTok snippets, Instagram livestreams, apartment windowsill jam sessions, art-making and concerts brought to you on what has become the most loved and hated platform of our time — Zoom.

Together at home: Celebrities flock to social media to entertain

By SEAN GLAISTER | April 6, 2020

In this temporary era of social distancing and quarantine, most of us find ourselves with more time on our hands. Of course, we can fill this time interacting with our families in-person or over the phone, group facetiming (or group zooming) our friends, but there’s definitely a limit to how much time we want to spend interacting with others. 

EWatson92/CC BY-S.A 2.0  Childish Gambino released 3.15.20, his fourth album since the 2016 hit, "Awaken, My Love!" 

Childish Gambino’s new album lacks cohesion

By KANAK GUPTA | March 29, 2020

Childish Gambino live-streamed music from his latest and last album on donaldgloverpresents.com for a few hours on March 15.  While I unfortunately missed those hours, I was aware that an album was coming soon. Finally, after four years since the release of the phenomenal “Awaken, My Love!”, Gambino finally put out 3.15.20 (on March 22 — or 3.22.20). 

COURTESY OF DYLAN KWANG The Walters Art Museum recently opened an exhibition of the Missal read by St. Francis of Assisi, a seminal Christian text.

The Walters Art Museum displays historic St. Francis Missal

By DYLAN KWANG | March 27, 2020

For the first time in nearly 40 years, the St. Francis Missal has its own dedicated exhibition at the Walters Art Museum. Though the museum is currently closed to the public due to the coronavirus pandemic, the exhibition will be on display until May 31. 

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