Canadian electronic duo, Zeds Dead, opened their lastest world tour (with shows in Canada and Europe) at Rams Head Live! this past Thursday. The duo brought Getter and Mija collaborator Ghastly with them as an opener.
When I found out I’d won tickets to see The Dandy Warhols at Rams Head Live! on Sept. 27, I was excited for the show. I mean, what could be better than free concert tickets? Plus, as an avid fan of Veronica Mars (watch it on Netflix if you haven’t already), I went through a period of several months when their song “We Used to Be Friends,” the show’s theme, was stuck in my head.
“It’s supposed to be important,” said the upperclassman who mentioned Pierrot le Fou, the Hopkins Film Society’s choice for a movie screening in Shriver Hall on Saturday, Oct. 1.
“Don’t get stuck in the Hopkins bubble!” This is a phrase Hopkins students have heard over and over, one that is drilled into many heads during orientation. “That’s not going to happen to me,” most proclaim to themselves internally. Fast forward three weeks and sometimes new students don’t travel farther than the Starbucks on St. Paul Street.
A Tale of Love and Darkness is the directorial debut of Academy Award-winning actress Natalie Portman, who is a triple threat as the film’s star, director and screenwriter. The film is based on the early life of Amos Oz, a prominent modern Israeli novelist. The film depicts his life as a young boy living in Jerusalem with his mother and father during the founding years of the State of Israel. Portman was born in Israel and returned there for the setting of this film, which has a screenplay almost entirely in Hebrew.
Four shows that are worth watching while procrastination this school year.
Future beat producer Mndsgn’s new album Body Wash, released Sept. 16, is a funk-fueled flood of ethereal strings, plinking synths and groovy drumming.
Acclaimed literary critic Sir Christopher Ricks visited Hopkins to deliver the annual Turnbull Lecture on Tuesday entitled “T.S. Eliot and Matters of Principle,” regarding the importance of principle in both literature and life.
WTMD, the radio station associated with Towson University, held Embody, a curated session focused on showcasing the unique vocal talents of multiple acts last Tuesday. The session completely stripped away every instrument besides the performers’ voices. The event was hosted as well as curated by local beatboxer and Tuvan throat-singer Shodekeh.
The HOP will put on its annual music festival, entitled JAM, for the first time on Saturday. The inaugural festival will feature Robert DeLong, Party Favor and D.R.A.M. as openers, and iLoveMakonnen will headline. These diverse performers will take the stage in the Rec Center as a central part of the larger Young Alumni Weekend festivities.
Released last Friday, Snowden, Oliver Stone’s thrilling biopic of the controversial man who leaked thousands of classified government documents to global journalists, is a well-made film with a globally poignant message that is well worth the price of admission.
This year during Young Alumni Weekend, the Hopkins Organization for Programming (HOP) announced JAM, better known as the Johns Hopkins Annual Music Festival.
1. Owl City
The Lumineers seemed to be genuinely shocked as they took in the sight of the 17,000 people crowded into the seats and lawn of the Merriweather Post Pavilion, reminiscing mid-set over the fact that just two years ago, while promoting their first album, they played at Baltimore’s very own Ottobar. Of course, that was prior to the massive success of their singles “Ho Hey” and “Stubborn Love” as well as their two Grammy nominations.
Donald Glover, better known as rapper Childish Gambino, has a line in his song “Bonfire”: “Why does every black actor gotta rap some? / I don’t know, all I know is I’m the best one.” His new comedy, Atlanta on FX, which premiered on Sept. 6, just might be actual proof of this claim. The show’s amazing writing and production combined with its unique vision puts Glover back on the map as one of today’s most valuable creative minds. Atlanta could change the face of television.
After a nearly silent eleven years, broken only by several strong feature appearances and a couple of recent mixtapes, the legendary hip-hop group De La Soul released their Kickstarter-funded album and the Anonymous Nobody on Aug. 26. Liberated from the oppressive forces of a record label, the quirky, creative collective planned to create an experimental comeback album.
