On reaching the end: my Hopkins story
Content warning: The following article includes topics some readers may find triggering, including depression.
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Content warning: The following article includes topics some readers may find triggering, including depression.
In the April 20, 2020 edition of The New Yorker, Ben Lerner’s short story “The Media,” appeared under “fiction.” A writer from Topeka, Kan., Lerner is a distinguished poet, writer and editor (though this list is not exhaustive). Lerner has also been a Fulbright Scholar, National Book Award finalist, Guggenheim Fellow and MacArthur Fellow (again, this list is not exhaustive).
I entered my senior year of college with several misgivings. I had just spent my junior spring semester abroad at the University of St Andrews in Scotland, and everyone had warned me of what tends to be a difficult transition back to life at Hopkins after months of reckless fun in a foreign continent. Most of those warnings ended up being true. That, on top of the jarring reality of what I foresaw would be a competitive job hunt season, made me quite apprehensive about being a college senior.
Every Monday morning, before I wake up for my first class, I hear the sound of soft footsteps shuffling and the creak of the apartment front door — this is when I know my roommate, Nita Nair, is up bright and early for her shift at the Hopkins Hospital for the Art Cart, an organization on campus that allows volunteers to deliver arts and crafts to admitted patients and their families.
Current Space, an artist-run art gallery and studio in Mount Vernon, hosted the opening reception for its current show, The Garden of Forking Paths, along with sounds from the base of a mountain on Saturday Feb. 29. This year marks 10 years that Current Space, around since 2004, has been at its new location in the Bromo Arts District, a designated arts district of Baltimore.
Piling into the giant Remsen 1 lecture hall is not the typical Thursday evening activity for Hopkins students, but then again it isn’t every day that Tim O’Brien visits Hopkins and reads to us.
You could say that I was raised on classical music. Growing up, classical music was the only music that my dad ever played on the radio whenever he drove me places. Since my dad was my main chauffeur (sorry, mom, but dad gets this one), I spent a lot of my life listening to Mozart and Beethoven on repeat.
When Justin Bieber dropped the song “Yummy” as his lead single from his fifth studio album, Changes, there was much dispute between me and my friends.
Gallery 1448 on East Baltimore Street presented its storytelling event “Speaking of Art — Au Naturale” on Sunday, Feb. 9. In the span of an hour and a half, Baltimore artists gathered in this intimate gallery to share stories on the theme of the “Au Naturale.”
Located in the heart of the National Mall is the Freer Gallery of Art and the Arthur M. Sackler Gallery. Part of the Smithsonian Institution, the two galleries are adjacent and attached to one another, forming a joint museum that focuses on Asian art. Currently on display at the Freer Gallery for the next year is the exhibit “Hokusai: Mad about Painting,” which I went to view over this Thanksgiving break.
The University held a free two-day symposium, “Paris/Algiers 1969: Declarations of Freedom by the Black American Avant-Garde,” on Friday, Nov. 15 and Saturday, Nov. 16. The Centre Louis Marin for Interdisciplinary French Studies organized the event with the support of the French Embassy in the United States, and the symposium director was none other than Hopkins Professor and Chair of German and Romance Languages and Literatures, Professor Derek Schilling.
This past Sunday, Nov. 10, “Not a Film Fest: Anticolonial Conversations in Baltimore” wrapped up with its third and final day.
The Baltimore Museum of Art (BMA) held Art, Youth and Justice Day this past Saturday. It was held as part of Youth Justice Awareness Month in October, a campaign aimed at raising awareness about childhood incarceration and engaging in political advocacy.
Hidden in plain sight yet undiscovered by many in the county, the Glenstone, a contemporary art museum, is a well-kept secret of Potomac, Md.
Terry Thompson’s exhibition Bianco e Nero premiered at the Y:ART Gallery in Highlandtown’s Art District on Sept. 14. On Saturday, Oct. 12, Thompson presented his personal story, talked about the works on display at his exhibition and discussed the overall trajectory of his career as an artist.
It is a couple of weeks into my first semester at Hopkins when, out of the blue, somebody says to me, “Your eyes are so small.”