In recent years, an art challenge known as Inktober has become a global phenomenon within the online art community. The premise is simple: On each day for the month of October, artists create one ink drawing and post it on social media.
Science-fiction/horror series Black Mirror made a splash with its debut five years ago, and recently its newest season premiered on Netflix as part of a new distribution deal. The third season excels in more ways than it falls short, but the real highlight of the season (and perhaps the 2015-2016 fall television season) is the fourth episode “San Junipero.”
It’s that time of year again. While college guys deliberate which skin tight costume most prominently shows their pecs, and rackety old men prepare their pile of toothbrushes for distribution, some of us look for albums and tracks to fill our Halloween playlists.
The Buttered Niblets, the University’s only improvisational comedy group, recently performed as a part of Quickdraw, an improv competition with other local colleges sponsored by the Baltimore Improv Group. For the performance last Thursday night, the Buttered Niblets faced off against University of Maryland Baltimore County’s (UMBC) Dog-Collar Comedy Troupe. The two groups played to an enthusiastic crowd at the Baltimore Improv Group’s space at Single Carrot Theatre in Remington.
Let’s face it, vampire movies have become overrated. After the release of the Twilight Saga movie series the vampire genre has taken a turn from classic horror to cheap entertainment. Now, it is hard to take a vampire movie seriously unless it is meant to be laughed at (i.e. What We Do in the Shadows). Thankfully, we still have one vampire movie that can satisfy our thirst for something that’s chilling, creepy yet artistically profound: Let the Right One In.
I walked into The Windup Space on Monday night to see a huge screen, several sparsely populated tables with Halloween-themed décor and little baskets of candy, I wasn’t quite sure what to expect at the 7th Annual Scary Stories Night. I felt like a foreigner among the crowd, who were talking and laughing amongst each other that I got the sense that the majority of them had definitely been there before.
Next Thursday, Oct. 27, the Hopkins’ Center for Visual Arts will co-sponsor a talk by representational painter Catherine Kehoe about her work. The talk is free and open to all students, as well as the general public.
Smooth and sexy: These two words completely describe singer Anderson .Paak and quirky music producer Knxwledge’s collaborative project, Yes Lawd!, named for .Paak’s trademark adlib. Released a week early on Oct. 14, 2016, this project burst onto Apple Music unexpectedly. Working under the moniker NxWorries, the pair created a nearly perfect project with smooth, layered instrumentals, beautiful vocal performances and a thick layer of silky, confident charisma.
Queen of Katwe (2016) is a recent film based on the life of Phiona Mutesi (Madina Nalwanga), a young chess champion from Uganda who was raised in the slums of Kampala. The film features critically lauded actors Lupita Nyong’o and David Oyelowo and boasts a winning performance from newcomer Madina Nalwanga.
Although it rained almost all afternoon on Saturday, Oct. 8, crowds filled the streets from noon to 7 p.m. at the 15th annual Pigtown Festival. Spanning several blocks of Washington Boulevard, the festival featured live music, booths set up by local businesses and artists and a smorgasbord of street food, both pig and non-pig related.
Last Friday evening, Baltimore’s monthly artist-run art marathon, Alloverstreet, offered a wide range of exhibitions, galleries and artist talks in Station North to satiate art lovers and intrigue artistic novices.
The name Edgar Allan Poe is one tied to the city of Baltimore, as this is both the city where he lived for some years and the city where he died and was buried. “The Enigmatic Edgar A. Poe in Baltimore & Beyond” at the George Peabody Library shines a spotlight on the talented writer, placing emphasis on both his life and the impact of his work after death.
If you’re anything like me, the daily coverage of this presidential election has you feeling completely exhausted. Being subjected to rhetoric entrenched in bigotry, racism, homophobia and a disregard for women’s rights and values can feel flat-out depressing, and it’s easy to fall into a pit of helplessness and despair.
Ty Dolla $ign, charismatic dread-headed king of the hook, the golden child of the west, Mr. Saves-Any-Song-With-A-Feature, dropped his ninth mixtape Campaign on Sept. 23.
Traveling in packs, students wandered past the FFC on their way to the Ralph S. O’Connor center, filtered past the security and entered JAM, the Johns Hopkins Annual Music Festival. There was a steady stream of roving students from 5 p.m. onwards. They were greeted by a gymnasium floor covered by a tarp with a raised platform and a big, curtained backstage.
Movies are a living, breathing, moving art, but they’re also a business. Not only that but movies require tens to hundreds to thousands of people working on a single project. As a result, movies can cost hundreds of millions of dollars to produce. In light of that, for the majority of the year, when you look up what movies are playing, you sigh and search for when the next Avengers movie is coming out.
Art and Music Bring Us Together was a concert at the Walters Art Museum focused on the sensory experience of art and music. The performers were Daniel Colin Xavier Rich, a baritone, and Samuel Springer, who played piano. The goal of the evening was to emphasize the broader connections between music and art. The concert was held in the sculpture garden at the museum. Visitors were encouraged to imagine walking through the galleries and listening to this music, as William and Henry Walters the museuem founders, and their guests might have done decades ago.
