When the GRAMMYs revealed their list of nominations for the 2023 awards, I immediately scrolled to the category “Best Rap Album of the Year.” Not because I hold the award in great regard but quite the opposite — the GRAMMYs have a vile history of botching the awards for rap/hip-hop artists, showing a partial disregard and ignorance for their culture.
The Pale Blue Eye is a gothic mystery movie that was released on Netflix on Jan. 6. It stars Christian Bale as Augustus Landor, the gruff old detective, and Harry Melling as a young Edgar Allan Poe. The movie is based on a novel by Louis Bayard of the same name.
A long-standing debate in film has been whether cinema is entertainment or art. While I find this idea of a zero-sum game quite sad and unfair, every once in a while there comes a movie that decimates this misconception by being an incredibly entertaining and artistic masterpiece simultaneously. There were a couple of films like these in 2022 but, in my opinion, none more viscerally representative of my point than S. S. Rajamouli’s RRR (Rise, Roar, Revolt).
Welcome back! As we settle into the semester, I always enjoy finding some time to hit the theaters and check out a new title on the shelves. It’s one of the few sweet spots before classes turn busy, and you won’t regret making the most of it while you still can.
For the most part, I’ve learned to avoid movies about dogs. It’s not that I don’t love dogs or don’t love to see them as canine protagonists. Honestly, if I could watch a full-length movie of a dog running around, playing and just generally being its happy self, I would enjoy it.
Since the Hopkins Symphony Orchestra’s (HSO) return from pandemic restrictions in fall 2021, I’ve had the pleasure of attending almost every one of its concerts. Although the reason for this has more to do with my friends’ participation in the orchestra rather than any particular affinity for classical music, the viewing and listening experience has been extremely enjoyable.
In the opening scene of Steven Spielberg’s The Fabelmans, a young Sammy Fabelman watches his first film — The Greatest Show on Earth — in 1952. As he watches a train crash on the huge screen, his world is lopsided by the grandeur and magic of cinema. While watching The Fabelmans, I felt the same thrill as Sammy, albeit my emotions were due to the beauty of a simple and incredibly personal story that Spielberg brings to the film.
The annual Culture Festival, which took place on Keyser Quad, featured cultural performances, music and food on Dec. 2. The event was hosted by the Multicultural Leadership Council, with funding from the Inter-Asian Council (IAC) and the HOP. Each cultural student group present at the event had a booth where members talked about their culture and organization.
Welcome to December! This time of year boasts an excellent line-up in the art world, with holiday-themed releases close on the horizon. The last week of classes is finally upon us, so be sure to take this time to curl up with a little something before final exams hit.
When I heard Glass Onion: A Knives Out Mystery was going to be released on Nov. 23, I knew I had to watch it as soon as possible. It wasn’t necessarily for the star-studded cast, which includes Daniel Craig, Janelle Monáe, Kate Hudson and honestly so many mini cameos that I lost track as I watched the film.
I really wanted to like Falling for Christmas, Netflix’s latest romantic comedy starring Lindsay Lohan. As a fan of Lohan’s nostalgic Mean Girls and Freaky Friday, I was looking forward to seeing her light up the screen in another major film. Since its release on Nov. 10, the film has consistently been featured in Netflix’s top 10 list despite its lackluster reviews from critics.
The 14th Annual SLAM Benefit and Showcase: DJ Got US Slammin’ hosted by the Hopkins SLAM Hip Hop Dance Group filled Shriver Hall with energy and zeal on Nov. 12. With the stage extravagantly decorated by iconic SLAM colored balloons, the showcase this year not only celebrated the diverse dance groups around the DMV area but SLAM’s 20th anniversary as well.
For some welcome distractions from the busyness of midterms, look no further than diverse range of releases slated for this week! Long-awaited films The Menu and She Said are open this weekend at the same time as festival favorite Bones and All, while on Disney+ The Santa Clauses is out with its first episode.
As the weather begins to plummet and Thanksgiving Break approaches, the stress induced by the mere thought of impending midterms threatens to overwhelm me. Yes, I could study, but when I saw Enola Holmes 2 was released on Oct. 27, I had to carve two hours out of my schedule to watch it.
Over the first weekend of November, the Barnstormers presented playwright William Inge’s Pulitzer-winning play Picnic at the Arellano Theatre. Written in 1953 and set in a small Kansas town, Picnic is a touching coming-of-age story about love and passion — both young and old.
The premise of a group of people stranded on an island is an overdone trope in modern media. However, while Triangle of Sadness is not radically different in its approach to the content, it definitely succeeds in presenting it in a way few have done before. This is primarily because of its extensive focus on power dynamics before the characters get stranded. In fact, the ‘stranded on an island’ storyline only composes the last third of the film.
There is plenty to explore in the arts this week! The incredibly successful Japanese anime One Piece Film: Red plays in American theaters, and Martin Scorsese’s Goodfellas is this week’s revival film at the Senator Theatre. The much-awaited Black Panther: Wakanda Forever also opens in theaters this week!
104 years after the armistice of World War I, all veterans have long past and their memories are left to the history books. Having lived in peacetime my whole life, my concept of war is very abstract, so I expected the war movie, All Quiet on the Western Front, to be a fun action-packed watch. However, I quickly realized that this was a very grim film. All Quiet on the Western Front, released on Oct. 28, is a German anti-war film that brings the reality of war back into its horrific focus.
It was 8 p.m. on the Saturday of Halloweekend, and the Arellano Theatre was buzzing with a bright, relaxed energy as the audience waited for the show to start. I saw a few familiar faces in the crowd, and I wasn’t surprised. The beauty of improv is that you never know what to expect each time, and the comic chaos that the Buttered Niblets (Nibs for short) create on stage every show keeps you coming back for more.
To say I was excited for Netflix’s release of The School for Good and Evil on Oct. 19 is a huge understatement. It was beyond mere excitement. From a countdown starting months in advance to frantic replaying of the teaser trailer when it dropped, I was borderline obsessed.
