On March 13, the Nuyorican Poets Cafe hosted an Art Slam event over Zoom that combined visual art and poetry. I was delighted to attend this unique experience, which offered insight into how poetry could be interpreted.
The Stand-Up Comedy Club hosted its “Lockdown Anniversary Show” over YouTube Live on Saturday. The show featured colorful sets from veteran student comedians on topics ranging from the stock market to the finale of The Bachelor.
One of the first science fiction movies of the year, Chaos Walking (in theaters now) appears to show great promise. With its slick premise, enrapturing action and striking title, it has every look of a sci-fi fan’s dream come true. To top it off, its star-studded cast includes the likes of Tom Holland, Daisy Ridley and Mads Mikkelsen, and behind the camera is director Doug Liman, responsible for the critically acclaimed Edge of Tomorrow.
A little less than halfway through Netflix’s new movie Moxie, I texted my girlfriend, “This movie is making me feel conflicted. I can’t tell if it’s good or not.” And I couldn’t: The first half of this film oscillates greatly in quality. It takes a while to get going, and even once the main plot really starts to take centerstage, the stakes of the movie are still tremendously unclear. There are moments of brilliance sprinkled throughout the first half of the movie — it certainly wasn’t bad — but I was far from convinced.
Following the incredible commercial success of Avengers: Endgame, I, like many others, wondered how Marvel would ever surpass the film’s and its predecessors’ sheer scope and magnitude. Was it something that they would even be able to pull off? Was it even worth attempting to do so? WandaVision is a curious answer to these questions.
After a series of trailers, Raya and the Last Dragon finally premiered on March 5. The movie begins with an elaborate two-dimensional animation of Kumandra, a once-united land that now appears unrecognizable to the current inhabitants, who are divided into different territories.
Last week, Madison Beer released her debut album Life Support. This album was Beer’s response to years of turmoil: being dropped by her label and diagnosed with borderline personality disorder as many of her personal relationships suffered, all while facing constant scrutiny as a teenage star on social media.
On Feb. 25 I celebrated one of my favorite artist’s birthdays at the “Pierre-Auguste Renoir 180th Birthday — Livestream Art Program” hosted by Robert Kelleman, founder and director of non-profit organization Washington, D.C. History & Culture. As a participant of the virtual art gallery tour, I was fondly reminded of my previous tourist experiences in art galleries.
The 78th Golden Globe Awards kicked off the 2021 film and TV awards season on Sunday. As expected, it was a mostly virtual ceremony, with nominees tuning in through Zoom and presenters showing up in-person at their respective bicoastal locations. Hosts Tina Fey and Amy Poehler returned, and with already three hosting turns already under their belts, it promised to be an eventful, no-holds-barred kind of night.
“Story is not the only mode available to us in experiencing our lives.”
This past Sunday, the Shriver Hall Concert Series livestreamed Daniil Trifonov’s pre-recorded piano program from New York's 92nd Street Y. The virtually delivered event was a success, with over 200 live attendees from around the world — highlighting Trifonov’s international presence.
A 21-year-old woman disappears for three weeks in a Los Angeles hotel infamous for its history of crimes and murders. The last seen footage of her raises more questions than answers and becomes a viral sensation. What happens next?
The History of Art and East Asian Studies departments sponsored an event titled “Documenting Industry: Photography, Modernity and the Nation in India and China” on Feb. 19. Scholars from around the world joined the Zoom-recorded event, presenting original research on ways in which documentary photographers have explored the lives of industrial laborers in India and China.
Amazon’s latest film release, The Map of Tiny Perfect Things, is not quite what you’d expect. Though it has the look of a typical coming-of-age comedy, or perhaps just an uninspired rendition of Groundhog Day, it turns out to be neither.
It is a fairly well-known fact that mainstream perceptions of historical Black leaders in America are understood through a largely cordoned-off, de-radicalized tone. The story goes that Martin Luther King Jr. and other Southern Christian leaders organized peacefully to end segregation, and that the U.S. government listened and responded in kind.
The teen romance trilogy that started with a bang is now coming to a long-awaited end. To All the Boys: Always and Forever marks the last time we’ll see the much-beloved on-screen couple, though it won’t necessarily mark the end of their love story. This time, Lara Jean Covey (Lana Condor) and Peter Kavinsky (Noah Centineo) face the ups and downs of senior year of high school, coupled with the stress of the uncharted territory that awaits them after graduation.
The Barnstormers return to our home-theaters once again with the warmth of easy-going comedy and the intrigue of a classic “whodunnit” narrative in their special Clue: Stay at Home. The production was a livestreamed virtual adaptation of Clue, a screenplay inspired by the timeless Hasbro board game and iconic film of the same name.
Over the last 11 months, I’ve found it increasingly hard to sit through a movie in one sitting or even to coax myself into viewing a film at all, really. Since I’m on my computer all the time, seated in one place for classes and work, sitting down to watch something online for a couple of hours has become incredibly unappealing.
For two years, the soundtrack to all the times I looked out the window in a car, hung out in my dorm with the string lights on or enjoyed a quiet sunset with my friends was the same: brent.
Set to officially premiere in 2021, Hopkins senior Rebecca Penner and ‘20 alum Carver Bain won Best College Long Narrative at the 2020 Fort Lauderdale International Film Festival (FLiFF) with their film “How To Care For Strangers.” With Penner’s skills as a Film & Media Studies major and Bain’s insight as both a Film & Media Studies and Theatre Arts & Studies minor, the pair was able to combine forces to co-write this energetic film.
