Over the last two weeks, for their fall 2019 Mainstage production, the Barnstormers performed The Curious Savage, a play about money, class and the all-too-thin line that separates the sane from the mad.
I’ve seen event fliers for months around Baltimore cafes and bookstores advertising the World Oddities Expo. Upon entering the lobby of the Lord Baltimore Hotel this past Sunday, Nov. 3, however, I saw little indication of the Expo’s existence, of tattooed viewers and strange relics on display.
Netflix has recently released a new show called Living With Yourself starring Paul Rudd, and it has proven to be even better and more complicated than expected. Already having received great critiques and responses from audiences all around, it is full of twists and cliffhangers that would have even The Vampire Diaries shaking.
It has been a busy week for music. Kanye West finally dropped his highly anticipated Jesus is King, which, in a surprise to nobody, was filled mostly with cringy bars that feed his persecution complex and half-hearted attempts to redeem his public image. Rex Orange County released a disappointment of an album, Pony, his third and least likeable project yet.
In partnership with the Mountainfilm film festival and the Saul Zaentz Charitable Foundation, the Hopkins Film and Media Studies program hosted a screening of Changing the Game on Thursday, Oct. 24.
With music production tools becoming more accessible and music streaming services allowing for an easy avenue to distribute music, the number of prominent, young artists in the music industry has increased dramatically.
Once upon a midnight dreary, the two of us went to see Edgar Allan Poe impersonator David Keltz perform a dramatic reading of “The Raven” at The Elk Room on Fleet Street. We initially had trouble finding The Elk Room, a speakeasy hidden behind an unmarked, locked black door behind the Italian restaurant, Tagliata.
The Baltimore Museum of Art (BMA) held Art, Youth and Justice Day this past Saturday. It was held as part of Youth Justice Awareness Month in October, a campaign aimed at raising awareness about childhood incarceration and engaging in political advocacy.
The entrance to the exhibition City People: Black Baltimore in the Photographs of John Clark Mayden sits to the left of Peabody’s entrance. The room is small. Photographs grouped in couples and triples line the walls, all black and white, all centered around the black population of Baltimore as their subjects.
Breaking Bad is widely considered one of the best TV shows of all time. Its creator, Vince Gilligan, took a great risk by releasing a follow-up movie, “El Camino: A Breaking Bad Movie,” this past Friday.
You probably know Alia Shawkat from her role as Maeby Fünke in Arrested Development — the quick-witted, opportunistic teenager who is the only character that has the slightest idea of what’s going on. Or you may know her from her starring role in Search Party, a genre-bending, satirical murder-mystery TV show.
Every young person deals with older people yelling about how this generation’s music is garbage compared to theirs. It involves some combination of a false equivalency, ignorance towards the modern genres and some claim to their geriatric authority.
It’s really hard to get a sequel right. At best, they build upon the themes of the original piece and give audiences a chance to reconnect with beloved characters. At worst, they come across as meaningless cash grabs that can tarnish any good will earned by their predecessor.
Hidden in plain sight yet undiscovered by many in the county, the Glenstone, a contemporary art museum, is a well-kept secret of Potomac, Md. Glenstone’s collection features art from the post-World War II era to the modern day. Following its inception in 2006 after being financed by American businessman Mitchell Rales, the mission of Glenstone was to seamlessly integrate art, landscape and architecture into a serene environment for introspection and contemplation.
This past Sunday, the Young People’s String Program (YPSP) of the Hopkins Peabody Preparatory put on its 33rd annual Halloween concert. The performance took place in the Miriam A. Friedberg Concert Hall, and the entire venue was full to the brim.
Bong Joon-Ho’s Snowpiercer blew my high school mind. The film came to Netflix in late 2014, when the service still felt like somewhat of a novelty. Renting DVDs was still a large part of their model. Their push into original content was fledgling but promising with House of Cards, and “Netflix and chill?” was a phrase still unironically used by fuckboys everywhere.
Big Mouth isn’t for everyone. This crude yet reflective comedy about middle-schoolers discovering their sexuality isn’t easy to digest, and, as the show cheekily admits in one of its episodes, it probably wouldn’t be able to get away with it if it wasn’t animated. But for those who make it past the shock and see the ingenious comedy behind it all, the third season of Big Mouth will be a treat. This show pulls no punches and perhaps, owing to the three-season Netflix deal, leaves no stone unturned.
About 20 minutes into Subtronics’ set at Baltimore Soundstage this Saturday, I had a stomach-dropping realization.
Tucked away in the folds of Baltimore’s historic Hampden neighborhood, the art of Tim Burton and his 1988 classic film, Beetlejuice, came to life in the vintage, consignment and antique shop Wishbone Reserve.
The annual Fells Point Fun Festival took place this past weekend from Oct. 12 to Oct. 13. It was my first year at the festival, but I don’t think it’ll be my last. Over 100 vendors and 17 bands filled up the waterfront in the historic area along Thames Street, including Caroline and Wolfe.
