On Wednesday, Feb. 16, the first installment of jeen-yuhs, Netflix’s three-part documentary about Kanye West, was released. Titled “act i: VISION,” the film curates an image of the American Dream seen through West’s relentless perseverance to make it in the music industry and his first taste of success.
2022 is Zoë Kravitz’s year for playing lead female roles in cinema. While most people are anticipating her appearance in The Batman this March, Kravitz has received a lot of praise for her performance in the new HBO Max thriller Kimi. The movie, which was released on Feb. 10, is set in a dystopian pandemic world where surveillance capitalism is at its peak.
The Barnstormers presented the 2022 intersession show, She Kills Monsters, a humorous yet touching exploration of death, family and societal expectations, over the weekend of Feb. 18 – Feb. 20.
After what has seemed like a never-ending dearth of live music and theater these past two years, live performances are finally returning. While livestreams and Zoom performances were certainly better than nothing, there really is nothing like sitting in an audience, watching a story come to life in the same room as you, feeling music reverberate throughout your body and just immersing yourself in a theatrical experience.
There’s something alluring about the snowy, small-town quality of New England. Often in media and art, we’ve painted it as a white, picturesque region attached to a childlike innocence — a sort of coming of age.
Witness Theater, the only student-written, directed and produced theater group on campus, held its Intersession Show last weekend. For this showcase, titled “Cabin Fever,” each story stayed on them by being set in a cabin, at least to some extent.
In an old church on St. Paul Street down the road from Homewood Campus, a group of people congregated to attend a local film screening series known as New Works on Feb. 11. Tote bags and quirky hats abounded; there seemed to be an unspoken dress code among the audience members.
The pandemic has undoubtedly transformed our views of love and relationships. Many in coupledom have remained together despite the untimely arrival of COVID-19 and its spread worldwide, while others have scattered to explore connection through social networks. Nonetheless, quarantine left us with an endless amount of time to reflect on our emotional, romantic and intimate needs.
It’s no surprise that the second season of Euphoria has nearly doubled its viewership from when it first premiered in June 2019. Presented with an alluring cast, the show has had a magnetizing effect on its target audience of young adults. The attractive cast, alongside some of the most iconic cosmetic choices, contributes to our fondness for the show. However, there’s one emblematic component that effectively captures its theme of transcendence: music.
Amid COVID-19 surges and Intersession classes, comedy remains an entertaining relief from life’s many stressors. To celebrate the end of Intersession, the students of Professor Adam Ruben’s comedy class each showcased their unique stand-up routines via Zoom on Jan. 21.
Hundreds of students, staff and community members gathered on campus last Friday to attend Lighting of the Quads, a long-upheld Hopkins tradition. The event was sponsored by the Parents Fund, Hopkins Dining and the Office of Leadership Engagement and Experiential Development, and over 4,000 guests registered to attend.
Last weekend, the Dunbar Baldwin Hughes Theater Company (DBH) performed School Girls; Or, the African Mean Girls Play. The play is inspired by the real-life story of Erica Nego, the Ghanaian representative for Miss Universe in 2011, and discourses of colorism and national representation that played out in Ghana based on her appearance.
On the cover of Australian singer-songwriter Courtney Barnett’s third studio album are nine blue paint splotches. The splotches, all various shades of blue, might be interpreted as a gesture to the album’s portrayal of different flavors of sadness or perhaps the raw emotion contained within these 10 songs.
Published by Astra Publishing House in late October, Melissa Lozada-Oliva’s new book Dreaming of You elevates the novel, demanding it be fun and grounded in pop culture. Named after the pop star Selena Quintanilla’s last album, the book follows the author (“Melissa”) as she resurrects the celebrity who died in 1995 into the present day.
The SLAM Hip Hop Dance Group hosted the 13th Annual SLAM Showcase + Benefit: SLAMMIN’ INTO SPACE on Nov. 13. Ticket proceeds from the event went to the Young Audiences Arts for Learning, an arts education nonprofit. Around 300 people registered to attend the event on CampusGroups.
Over the last weekend of October and the first weekend of November, the Barnstormers presented a rendition of Hamlet for the Fall Mainstage. It was the first live, in-person mainstage by the Barnstormers in two years and was an excellent return to the stage, making most of the Shakespearean classic while subtly bringing it to the modern age.
Let me introduce you to a Baltimore-based funk band called Deja Vu. The band consists of five teens: Elek Yuhas (singer, guitarist); Isaac Chang (keys, trumpet, synthesizer); Roy’el Byrd (bass); Graham Hogan (drums); and Leo Hickman (mandolin, double bass).
Originally scheduled for release in November of 2020, Dune, directed by Denis Villeneuve, finally made its way to theaters last weekend after long, agonizing months of celebrity bait and advertisement.
There’s a certain mystique that follows a Bond film, one that holds a timelessness and universality of frankly uncommon proportions. Any attempts to characterize it often point to the flair, the gadgetry or, most likely, the untouchable coolness exuded by its titular character. Whatever it is, though, there’s no doubt — the newly released No Time to Die has it, and then some.
After a busy year of songwriting and technical setbacks due to the pandemic, James Blake finally released his fifth studio album, Friends That Break Your Heart, on Oct. 8. The album is a testament to his growth as an artist, moving from his post-dubstep/electronic era into modern genres of pop and R&B. With 12 songs and a run-time of 44 minutes, Blake takes us on a transformative journey exploring themes of grief, regret and heartbreak.
