Last month, the film Problemista was released in theaters. It stars and is directed by Julio Torres. The story centers around a young man named Alejandro who, after losing his job in a cryogenics company, has one month to find another job and sponsor before his work visa in the United States expires and he is deported.
In Love Lies Bleeding, Kristen Stewart embodies Lou, an exhausted but competent part-time gym manager, part-time crime scene disrupter. Lou is a reclusive lesbian and estranged daughter of a crime lord in her New Mexico hometown. In the midst of the grunt work of her daily life, she falls in love with Jackie, a bodybuilder new to town, who frequents the gym Lou manages. Before long, the two find themselves entangled in an all-consuming relationship that begins to fracture as the two enter a world of unbelievable violence.
Looking for new media to consume this week besides reels and more reels? I know I am. As we enter the next week (eclipse week!), the Arts & Entertainment section is here to give you a list of things to fill your eyes and ears. Hopefully, these will leave you feeling inspired, excited or even the good kind of sad — whatever it is, it promises to be a break from the brain rot.
Adrianne Lenker, singer-songwriter of Big Thief fame, unveils a rich project with alternating themes of the past, present and future, incorporating technological flourishes into her typical style of raw instrumentation.
Do you hear that wooshing noise? That’s the sound of this semester positively flying by! As we get into the final weeks of the semester, there’s guaranteed to be more and more live events happening on campus as students come show off what they’ve been working on these past months. The live events this week are all super cool, so definitely go check them out!
This week’s picks include Godzilla x Kong: The New Empire, Ursula Villarreal-Mourau’s new novel Like Happiness, Beyoncé‘s newest LP Act II: Cowboy Carter and a talk given by Emily Wilson on her new translation of Homer’s The Iliad in Room 110, Maryland Hall.
The Hopkins Philosophy department collaborates with Goethe-Institut Washington to present a script reading of Immanuel Kant by Thomas Bernhard, an absurdist play which satirizes the existential madness involved in subjective philosophy and modern technology.
The newest Netflix original film, Damsel, released on March 8, uses strikingly beautiful cinematography and imagery in what turns out to be a nice contribution to the fantasy genre, but its plot and characters have some minor flaws that detract from the overall experience.
It’s the last stretch before spring break! Are you as tired as I am? I am definitely looking forward to going home and relaxing (or at least, pretending to relax while inwardly stressing about how quickly the semester is going by).
Singer-songwriter Faye Webster’s new album, Underdressed at the Symphony, extends the indie-sweetheart genre, blending vulnerability, humility and humor to carve out new sounds and entertaining, honest verses on past relationships and the mundanity of adult life.
Dune: Part Two lives up to its astronomical expectations with stunning cinematography and interesting side characters. Although Paul Atreides (Timothée Chalamet), the main character, doesn’t seem to be challenged and is hard to relate to, the acting performances of the full cast are incredibly intriguing, and each character seems to have a full storyline.
If you ever sit in your bed and get the sudden urge to watch a group of some of the world’s cockiest men drive around in circles with super fast cars, Formula 1: Drive to Survive might just be the thing for you. The sixth season of Formula 1: Drive to Survive came out on Feb. 23 on Netflix with ten brand-new episodes. This sports docuseries portrays the ten Formula 1 (F1) teams along with their 20 drivers.
This week’s picks include Pokémon Horizons: The Series, released by TV Tokyo, The House of Hidden Meanings by Rupaul, Eternal Sunshine by Ariana Grande and a VR Exhibit, titled “War Up Close” at the JHU-MICA Film Centre.
Cleaning the bathroom is usually an annoying, insignificant task. Wim Wenders’ latest film, Perfect Days, takes this chore and transforms it into a vessel for gratitude. The film follows a series of days in the life of a Japanese bathroom cleaner, Hirayama, in minute detail.
Drive-Away Dolls has a bizarre plot, full of raunchy queer sex scenes and comedic criminal action sequences. In the end, it results in an entertaining, improvisational spectacle.
Susan Elizabeth Shaw discusses her role as Laurie Schwab Zabin, a past professor of the Johns Hopkins School of Hygiene and Public Health (now Bloomberg School of Public Health) in the blockbuster film, Oppenheimer. Zabin created structural changes that vastly increased access to contraceptives for adolescent and teenage girls in Baltimore.
As the midterm season finally comes upon us (and probably won’t fade out until late April), we at the Arts & Entertainment section think that now is the best time to ignore all your responsibilities and spend a night at the theater or curled up with a good book!
This terrifying and exciting transition from girlhood to womanhood, and the role of marriage as the boundary between the two, is explored in Ana Sokolović’s contemporary opera Svadba.
Contributing writer Noël Da selects specific songs produced by Baltimore artists from 1965 to 2015, covering artists like Billie Holiday, Cass Elliot, Frank Zappa and Beach House.
This week’s picks include Avatar: The Last Airbender (live-action TV series), A Tempest of Tea by Hafsah Faizal, Loss of Life by MGMT and “In The Stacks,” a live performance by Opera Baltimore at George Peabody Library.
