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(11/01/18 4:00pm)
I have never been a fan of the haunted house. Something about paying strangers to scream at you in the dark as your body threatens cardiac arrest doesn’t appeal to me. However, I was intrigued by the Maryland Institute College of Art’s (MICA) unique take on the Halloween tradition and was impressed that the production was staged by students alone. After hearing friends testify to its relatively-tame-yet-still-spooky nature, I agreed to check it out.
(11/01/18 4:00pm)
A shirker is someone who runs away from responsibilities, something I consequently became when I experienced an otherworldly form of escape in Sandi Tan’s mind blowing documentary film, Shirkers. The one hour, 36 minute documentary, labeled a “punk feminist documentary gem” by Vox Media, unfolds into a gripping story of Tan’s journey as she recovers 70 film cans that were taken from her possession. While we get a glimpse into beautiful shots of the salvaged indie film produced by Tan and her friends in the summer of 1992, the mystery behind these lost tapes were, to me, far more unsettling than the weirdly creepy Halloween decorations on the second floor of Maryland Hall.
(11/01/18 4:00pm)
This fall, the Barnstormers are celebrating their 100th anniversary with a production of The Laramie Project, the true story of the 1998 hate-crime murder of Matthew Shepard in Laramie, Wyo.
(10/25/18 4:00pm)
The first time I saw The Wombats live was in 2015 at the Reading Festival in the U.K. It’s a sort of rite of passage, at least for private school students in London, to spend three days after GCSE (the first set of big public exams for British students) results come out camped out in the mud, going to see as many different artists as possible, getting no sleep and spending as much money on bad food-truck food as you can.
(10/25/18 4:00pm)
In 1773, She Stoops to Conquer, a comedy in five acts by Anglo-Irish playwright and novelist Oliver Goldsmith, debuted in London.
(10/25/18 4:00pm)
The Parkway Theatre is currently screening Charm City, a documentary produced by Marilyn Ness that depicts the streets of Baltimore. She highlights a city that is too often overshadowed by the media’s dominating political discourse about sensitive topics on crime, police brutality, gun violence, poverty and race.
(10/25/18 4:00pm)
In the moments before the show’s main act came on, the audience was filled with anxious anticipation. For the last 20 minutes, we’d been at the mercy of the opening act, who had led us all in a giant sing-along to gay anthems like “Barbie Girl” and “Part of Your World.” He was admittedly very talented and charming, and there was definitely a certain pleasure to blurting out the lyrics to “Party in the USA” while surrounded by drunken homosexuals, but it really wasn’t why any of us were there.
(10/25/18 4:00pm)
My roommate and I drove over to MilkBoy ArtHouse in College Park, Md. to see Kero Kero Bonito (KKB) perform on Saturday, Oct. 20. Kero Kero Bonito is a U.K. group consisting of singer and rapper Sarah Midori Perry and producers Gus Lobban and Jamie Bulled. The London trio is typically known for their eclectic and upbeat mix of electronic dance beats, pop and rap with Japanese-pop (J-pop) influences. Their previous albums contained songs with Perry singing and rapping in both Japanese and English over catchy pop beats about such whimsical topics as parties, trampolines and animals.
(10/25/18 4:00pm)
On a fateful Tuesday, Oct. 16 to be exact, I skipped my one class of the day and went to a concert in Washington, D.C. with two of my friends to see Brockhampton, one of our favorite bands, for their I’ll Be There tour. I had been to a Brockhampton concert several months before, so I thought I knew how wild and uncontrollable both the fans and the general admission pit would be. Little did I know that The Anthem, the D.C. venue where they performed, would feel about five times larger than the venue in upstate New York where I saw them perform last May.
(10/25/18 4:00pm)
This movie really lost a golden opportunity when it chose to release on Oct. 19 and not on Halloween night.
(10/18/18 4:00pm)
Gentrification is the process of turning a neighborhood to a middle-class, affluent living space through renovation. This essentially means that the less affluent community members living in those neighborhoods are displaced due to rising rents and the influx of wealthier people. Most people have no doubt nor second thoughts on such seemingly well-intentioned improvement.
(10/18/18 4:00pm)
R. House hosted a Halloween-themed vintage market to support the Women’s Advocacy Coalition in Baltimore on Sunday, Oct. 14. The market, located in the garage right next to the bustling Remington food court, is home to many flea market-type events throughout the year. Its wide open space and natural light is an ideal setting for the cute, homemade goodies that vendors often sell there.
(10/18/18 4:00pm)
The Writing Seminars department hosted author Lorrie Moore — recipient of The Irish Times International Fiction Prize and the 2005 PEN/Malamud Award for Excellence in the Short Story — for the latest event in the President’s Reading Series on Tuesday, Oct. 9. Moore read excerpts from both her fiction and nonfiction pieces, both of which demonstrate not only her fantastic talent for wordplay, but also her ability to combine both the grim and the bright into captivating and beautiful storytelling.
(10/18/18 4:00pm)
I had the pleasure of interviewing the one and only Bill Burr on Friday, Oct. 12. For those who don’t know, Burr is a 50-year-old comedian from Canton, Mass. His brand of comedy is filled with rage and poking fun at various aspects of everyday life.
(10/18/18 4:00pm)
In detail, write out exactly what happened to you today. I can almost guarantee your summary will be dull. Passionate, powerful experiences in life happen rarely. Luckily for us, humans have created an efficient way to experience excitement and passion: art.
(10/18/18 4:00pm)
Following two rocky first weeks of the season, Seth Meyers’ episode was the early high Saturday Night Live (SNL) needed. The beloved former head writer and cast member brought a familiar energy to the night, looking right at home in Studio 8H. Meyers noted in his opening monologue that he worked on the show for 12 years and couldn’t even leave the building when he departed, taking his next job just down the hall as host of Late Night with Seth Meyers.
(10/18/18 4:00am)
I’ve covered the past three Witness Theater showcases for The News-Letter, and I’m honestly not sure why. I never feel like I’m doing their astonishingly complex plays justice, yet I keep volunteering to review them.
(10/11/18 4:00pm)
Over the course of this weekend, the Barnstormers, the oldest and largest student-run theatre-group on campus, presented the Freshman One Acts, a series of short plays that showcase a group of freshmen and their acting abilities. This year’s program featured five shows, including Lost Satellites, The Secret of Jarlsberg, One Tennis Shoe, Insight and The Role of Della.
(10/11/18 4:00pm)
To my knowledge, several students were disappointed that Hoptoberfest had selected the Plain White T’s to perform at its concert on Oct. 5. Yeah, we love “Hey There Delilah,” “1234” and “Rhythm of Love,” some said. But what songs have they done since? Are they even famous anymore? Their latest studio album Parallel Universe, which they released in August, doesn’t even have a Wikipedia page, much less a gold certification. Why bother resurrecting a plain-white ghost we last saw performing “Our Time Now” on iCarly?
(10/11/18 4:00pm)
There’s a strange combination of otherworldliness and intimacy that pervades Afro Punk Ballet. On one hand, the plot and staging is decidedly futuristic. The characters wear beautiful black spacesuit helmets as they interact with spirits under the light of two suns. On the other, for all of its science-fiction elements, the plot centers on a family struggling to come to terms with the actions and legacy of its patriarch. It’s a story that is relatable and incredibly moving. Though the two aspects might seem disparate, the writers and cast of Afro Punk Ballet have managed to create a compelling and unique production that truly thrives in that in-between.
