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“It’s like standing in a power station on acid,” said Richard D. James, better known as Aphex Twin, of his landmark album Selected Ambient Works Volume II. Thirty years later, its beautiful yet unsettling dreamlike soundscapes remain as captivating as ever, and earlier this month the album returned with an expanded anniversary edition.
I have a wall inside of me that I think is made of concrete. It has taken me 17 years to recognize it, 18 to acknowledge it, and 19 to write it all down in a Voices article for The News-Letter.
While I personally don’t recall the exact moment my parents told me I was going to have a younger brother, I laugh every time I watch the VHS tapes. I was so upset — almost in tears. At the time, I was deep in my Barbie era, and all I could think about was not having a sister to dress up and play with; though, to his dismay, my brother, Krish, did end up going through that phase with me anyway.
In Irish, “sláinte” is the colloquial term used for toasts and other cheers. My Irish grandmother often uses it at birthday and holiday celebrations to start a meal and celebrate our family’s togetherness. This summer I had the incredible opportunity to travel to Ireland for two and a half weeks. Going into the trip, I was relatively nervous because it was my first time traveling alone internationally, but I was mostly excited for the chance to experience a foreign yet familiar culture in such an immersive way. So I boarded an Aer Lingus flight with my suitcase and guitar, looking forward to the time I would spend across the pond.
Brett Rhodes, the manager of Zeke’s Coffee, shares the story behind the birth of this Baltimore-based roaster and cafe. In an interview with The News-Letter, he shares the inspiration behind their creative coffee names and the latest developments at this long-standing coffee house!
I used to say that I was from nowhere, everywhere or from the South China Sea. All were true enough.
In an interview with The News-Letter, Judah Akers, lead singer of indie folk band Judah & the Lion, said that they make music, “for people… to point people to hope.” Their newest album, The Process, is a journey through the five stages of grief. Twenty-four tracks guide listeners through the thick of denial, anger, bargaining and depression all the way to acceptance.
The Environmental Protection Agency (EPA) recently recognized Hopkins for its use of green power sources, which accounts for 60% of the University’s total power needs. The University currently ranks fourth among colleges in the EPA’s Green Power Partnership — a voluntary program aimed at protecting human health and the environment.
Being African in the mid-2010s earned me rude comments on my appearance, my food and my way of communication. I used to evade inquiries into what I wore to Nigerian parties out of fear that people would see pictures and deem my clothes ugly. I refused to bring anything African for lunch because in my majority white middle school, I had experienced kids making fun of the savory smells or asking for a taste and spitting it out in disgust. I was even afraid for my friends to meet my parents because 1) my mother and father are extremely judgmental, and 2) they would remark on how loud we all laughed or talked.
Hello Hopkins faithfuls! Welcome to another week of Hopkins Sports in Review! Here’s the latest on fall sports as conference play continues and the playoffs approach.
Poet Megan Pinto held an event at local cafe Bird in Hand to present her debut poetry collection, Saints of Little Faith on Sunday, Oct. 6. Alongside Pinto, Samuel Cheney, Jimin Seo and Jess Yuan presented their work. After the attendees had settled into their seats inside of the atmospheric bookstore, the poets were introduced and the event began.
We hope that the fall break was a good time to take a rest. Before diving back into the semester, catch up on the newest scientific discoveries!
Bharatanatyam is an ancient, classical dance form that originated over 2,000 years ago in Tamil Nadu, India. As a result of its distinct quality of movement and emphasis on storytelling, Bharatanatyam has grown in popularity over the years and is practiced around the world. In a typical, full-length Bharatanatyam presentation, pieces are performed in a traditional sequence, known as the Margam, which translates to “path” in Sanskrit. This structure is a skeleton that is followed for every performance. A complete Margam is typically made of seven to eight pieces of which there are hundreds of compositions to choose from. It provides artists with a general sense of direction — a foundation upon which they can then rely on when exploring their own creative ideas. The possibilities are endless.
On Oct. 14, the Center for Diversity and Inclusion hosted a program from 3–8 p.m to honor Indigenous Peoples’ Day, with a focus on Indigenous innovation and impact. The program included a community gathering event, followed by a celebration event featuring a keynote presentation from Dr. Donald Warne — co-director of the Johns Hopkins Center for Indigenous Health — and a performance from the Piscataway Nation Singers & Dancers.
The 112th Student Government Association (SGA) convened on Tuesday, Oct. 15 for their weekly meeting.
Tymarra Sherrill, Marketing and Activation Manager at R. House, is the creative force behind its exciting events and inclusive atmosphere. In an interview with The News-Letter, she explains how R. House goes beyond being a food hall, serving as both a community gathering space and a launchpad for local entrepreneurs.
The Stavros Niarchos Foundation (SNF) Agora Institute and the Center for Social Concern (CSC) hosted an event titled “Presidential Pardon Power: Where is the Limit?” on Wednesday, Oct. 9. As part of an ongoing discussion series tailored for engaging undergraduates in political issues, the event featured a discussion between Kim Wehle, a professor at the University of Maryland Law School and a legal contributor for ABC News, and Emily Zackin, a political science professor at Hopkins, about the contents of Wehle’s new book Pardon Power: How The Pardon System Works — And Why.
The Hopkins Symphony Orchestra (HSO) delivered an expert performance on the evening of Oct. 5 in the Shriver Hall auditorium. The orchestra opened with William Grant Still’s Serenade before shifting to Maurice Ravel’s Piano Concerto in G Major and ending with Antonín Dvořák’s Symphony No. 9, or From the New World.
Fall break is finally here, and it's a well-deserved reward for all your hard work. With the weather looking great — clear skies, sunshine and a comfortable breeze — you might already have plans to head out of Maryland. But if not, we've got some local events lined up for you to explore!
Was it a week or two into Hopkins? It was just another day when the bustling noise of people packing up their bags was subtly pressuring the TA to dismiss the section. In between the hustles were warm exchanges of “great work” and “good job” amongst groups. I opened my mouth to join in on the formality — when I realized that no English word could be a medium for the 수고했어 (“sugohaesseo”) I wanted to convey. When entered in Google Translate, “수고했어” is translated as "great job," but this does not hold the same connotation. By acknowledging the effort regardless of the result, 수고했어 conveys a sense of camaraderie and thus is commonly used in both professional and casual contexts. There was simply no English word that touched on this base, and I uncomfortably stooped to reciprocate “great work!” as I packed my bag.