Use the fields below to perform an advanced search of jhunewsletter.com - The Johns Hopkins News-Letter's archives. This will return articles, images, and multimedia relevant to your query.
797 items found for your search. If no results were found please broaden your search.
With midterm season in full swing, Hopkins students are back on the grind. But despite our best efforts to be productive, we always end up back on that beautiful but deadly black hole of time: Netflix. Here are three soon-to-be-released Netflix originals to keep an eye out for over the next month.
No one expected this moment to come. Tha Carter V was one of those legendary unreleased albums, on the same level as Jay Electronica’s debut project and Dr. Dre’s Detox. After years of waiting, the historic moment finally came. This past Friday, Wayne released the fifth entry in the Carter series.
This past weekend I headed down to the Inner Harbor for the 2018 Baltimore Book Festival. The Baltimore Book Festival is a three-day event with multiple booths, panels and events for adults and children. Music performances and food and refreshment vendors are also scattered throughout the venue.
On Sept. 28 and 29 the Maryland Institute College of Art (MICA) hosted the annual Baltimore Japan Art Festival, which provided an extensive schedule of events celebrating Japanese culture through art, food, music and film. The highlights of this year’s Festival not only included the celebration of renowned illustrator Yusuke Nakamura and her work, but it also showcased a selection of films from the 2018 New York Japan CineFest.
The JHU Stand-Up Comedy Club, also known as SUCC, performed a series of routines on Saturday, Sept. 29 at its “Suit and Tie” show. Comedians covered topics like relationships, violence and Donald Trump while dressed in formal attire.
88rising, the hybrid record label/all around media company dedicated to launching Asian artists, began its first company venture into North America with its 88 Degrees & Rising Tour. The tour kicked off on Sept. 22 at the Los Angeles State Historic Park with the Head in the Clouds Festival, a large-scale affair which showed off 88rising’s diverse and rapidly growing roster of artists. Headliners included Rich Brian, Joji and Higher Brothers. But many others, like Japanese rapper KOHH, Indonesian singer Niki, Korean rapper Zion. T, musician Sen Morimoto and South Korean rapper Keith Ape also performed, with surprise guest Anderson .Paak. The tour will continue on to 18 other cities in North America.
At the first President’s Reading Series talk of the year, Assistant Professor in the Writing Seminars Danielle Evans acquainted the audience with Colson Whitehead’s accolades: Pulitzer Prize winner, National Book Award winner, MacArthur and Guggenheim Fellow, author of eight books of fiction and non-fiction. Reaching the podium, Whitehead introduced himself differently.
Witness Theater presented their Fall Showcase in the Mattin Center’s Swirnow Theater this weekend. The show, produced by senior Sarah Linton and stage managed by sophomore Dominique Dickey, exhibited an evocative collection of four one-act plays written and directed by students.
Open up YouTube, look up “Redbone Chopped and Screwed” and click on the first link. The thumbnail is a cover of Childish Gambino’s project “Awaken, My Love!” with a purple tint. Sit on a comfortable couch. Hit play.
Tennessee Williams’ Cat on a Hot Tin Roof name drops its own title rather early on in the first act when a wife describes the pain of living with a husband who doesn’t love her back. In a way, all of the characters of Baltimore Center Stage’s most recent production are on their own tin roof. Some are lonely; some are unloved; but none of them know how to get down safely. Their attempts to find peace are clumsy and often almost painful to watch, but the show’s immense empathy for its characters makes it difficult to tear one’s eyes away from the stage.
On Wednesday, Sept. 19, Donald Glover stepped onto the Capital One Arena stage in Washington D.C. for the last time as his musical alter ego, Childish Gambino. “This is not a concert,” he said to the roaring crowd. “This is church.”
As summer came to a close, film critics and moviegoers alike were proudly dubbing the month of August #AsianAugust. The wildly popular Crazy Rich Asians, starring an all-Asian cast, became the most successful studio rom-com in nine years. Netflix’s To All the Boys I’ve Loved Before with its lovable Korean-American heroine Lara Jean became a raved-about sensation among teens and college students alike. So when I heard that the thriller film Searching starring John Cho was playing at the Towson Cinemark this September, I knew I had to get tickets.
Brockhampton’s fourth studio album, iridescence, was released as the band’s first label-produced album on Friday, Sept. 21. A self-proclaimed American boy band, Brockhampton is a collective of rappers, producers, designers and creators who have put out four studio albums and one mixtape in less than two years (three of which — the Saturation trilogy — came out in 2017). Despite their impressive track record, Brockhampton had much to prove on this latest release. Since SATURATION III, the band kicked out one of their founding members, Ameer Vann, due to sexual abuse allegations; signed to RCA Records despite protests and resistance from their fan base; and repeatedly pushed back the release of the album.
What exactly is a night market experience supposed to be like?
The Iron Crow Theatre in Baltimore put on an amazing and gut-wrenching performance of The Laramie Project to celebrate the 20th anniversary of Matthew Shepard’s death. Shepard, a gay man who was brutally robbed, beaten and tortured to death in Laramie, Wyo., would have been 42 this year.
I never listen to metal — it’s a bit of a blind spot in the repertoire of music I know. That being said, I surprisingly ended up at the Ottobar on Sunday, Sept. 24 to see four hardcore/metal bands: Zao (the headliner), Atlas Moth, Yashira and Knife Spitter (the opener). The former three bands were all touring together, having already performed in Philadelphia; Hartford, Pa.; and Brooklyn, N.Y. earlier in the week.
Andrew Martin published his first novel, Early Work, this past July. After reading about it in The New Yorker, I picked it up. At 240 pages and chock full of wit, it was the perfect read to dive into as I lay on the beach in Cape Cod, in denial of summer’s impending end.
The Seventh Annual Deviled Egg Pageant took place at the Single Carrot Theatre on Sunday, Sept. 16 to egg-cellent success. “Man, I’m all egged out;” “Take those nasty farts outside;” and “And the award for most Seussian goes to...” are just some quotes overheard from attendees of the unusual event.
On Sunday, Sept. 16 I traveled with a friend to Capital Memorial Church (CMC) in the Forest Hills neighborhood of Washingon, D.C. for its 26th annual International Food Fair.
Lately I’ve been listening to a lot of old Lady Gaga. It’s crazy for me to think that The Fame came out over a decade ago now. Even Artpop, which doesn’t feel like an old album, dropped five years ago.
