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(02/20/20 5:00pm)
Witness Theater presented its annual Intersession Showcase at the Swirnow Theater this weekend. The show featured four new student-written plays all tied together by the theme of office life. Junior Dominique Dickey was the executive producer, and sophomore Aparajita Kashyap was the stage manager for the show. The vibrance of the performances throughout the night truly brought the stage to life and made for a show filled with ample humor, drama and intrigue.
(02/06/20 5:00pm)
The Super Bowl is a prominent feature of American culture. Every year, millions of people tune in to watch the highly-anticipated big game in the company of their friends and family.
(02/06/20 5:00pm)
On Sunday night the Red Room hosted its monthly Volunteers’ Collective, where people from the community can bring their own instruments and engage in improvisation sessions with other musicians.
(01/30/20 5:00pm)
Virtual Reality is a five-piece rock band composed of vocalist Parker Treadway, guitarist Ronald Salazar, pianist and guitarist Matthew Ost, drummer Paul Vallejo and newly-recruited bassist Mahesh Pitchayan.
(12/05/19 5:00pm)
From a young age, Hopkins junior, Dylan Kwang has immersed himself in the arts. Having taken painting and illustration classes all throughout elementary, middle and high school, art is something that has always been an influence in his life.
(10/24/19 4:00pm)
This past Sunday, the Young People’s String Program (YPSP) of the Hopkins Peabody Preparatory put on its 33rd annual Halloween concert. The performance took place in the Miriam A. Friedberg Concert Hall, and the entire venue was full to the brim.
(10/03/19 4:00pm)
For Hopkins students, creating art may be a very common pastime. However, for sophomore Elizabeth Im, art has been something that has permeated her daily life since she was young.
(09/19/19 4:00pm)
One of Charli XCX’s most redeeming qualities as a musician is her unflinching artistic sincerity and independence. From the very beginning of her career, Charli has been committed to brave sonic experimentation and exploration, not just in the way that she produces her albums, but also in the manner by which she proactively incorporates features from diverse artists into her music. This very sincerity and independence is at the forefront of what is her most revealing and dynamic album yet, Charli.
(09/12/19 4:00pm)
The annual Hopkins Dance O-Show took place this past Saturday at the Shriver Hall auditorium. The event is a popular showcase of the University’s dance performance groups, usually held a couple weeks after freshman orientation. Several minutes into the show, the auditorium was already filled to the brim, with more students shuttling into the auditorium between performances.
(09/05/19 4:00pm)
Scary Stories to Tell in the Dark, directed by André Øvredal and produced by Guillermo del Toro, is a film adaptation of the popular children’s book series of the same name.
(09/05/19 4:00pm)
Scary Stories to Tell in the Dark, directed by André Øvredal and produced by Guillermo del Toro, is a film adaptation of the popular children’s book series of the same name. Although it has a running time of only 108 minutes, the film manages to develop unique renditions of the original stories and creatively incorporates them into the larger narrative plot of the film.
(08/31/19 10:00pm)
It’s far too easy to get caught up in the Hopkins bubble — here are some neat places to explore during the weekend or on a study break.
(08/07/19 5:17pm)
Midsommar, a newly released folk-horror film from director Ari Aster, follows his highly acclaimed debut film Hereditary, which was released only a year ago. After relishing in the delightfully gruesome premise and fantastic acting of Hereditary, my expectations for Midsommar were high.
(04/25/19 4:00pm)
Students, community members and faculty members protested the University’s proposed private police force, its contracts with the U.S. Immigration and Customs Enforcement (ICE) and police brutality in Baltimore in Wyman Park Dell on Wednesday, April 24. Later, protesters marched to Garland Hall.
(04/25/19 4:00pm)
Mitski performed a sold-out show at Ram’s Head Live! on Friday, April 19 to a wildly receptive crowd. At the venue, listeners filled every inch of the floor and the balconies, soaking up every moment of the performance. The crowd was pulsing with energy; There was rarely a moment when people weren’t screaming or singing along to the music. Mitski herself, on the other hand, was strikingly reticent, performing alongside her band members and, among other items, a simple white desk and a chair. As the night went on, however, I found these to be among the least surprising elements of one of the most breathtaking, unique shows I’d ever seen.
(04/18/19 4:00pm)
University President Ronald J. Daniels and Provost Sunil Kumar released the second progress report on the Roadmap on Diversity and Inclusion on Friday. University officials drafted the Roadmap, a document outlining plans to make Hopkins more diverse, following the Black Student Union’s (BSU) 2015 protests and list of demands.
(04/18/19 4:00pm)
Standing in the crowd of the Fillmore Silver Spring on Friday night, I was immediately taken back to my childhood, one of the hallmarks of which was listening to music in our family SUV. Whether we were going shopping for groceries or picking up new threads at the local Marshalls, my parents would always play music in the car. The selection was usually pretty eclectic — it included everything from Mendelssohn’s E minor violin concerto and random excerpts from Bach’s solo cello suites to Dream Theater’s Metropolis Pt. 2: Scenes from a Memory and excessive replays of The Pussycat Dolls’ “Don’t Cha.”
(04/11/19 4:00pm)
On Monday, the Homewood Faculty Assembly (HFA) voted in favor of requesting the University to terminate its initiative to implement a private police force and requesting amnesty for those involved in protesting this initiative. Following the passage of the vote, the HFA sent a written resolution to the University concerning its requests on Tuesday.
(04/04/19 4:00pm)
Compared to ensembles like the full symphony orchestra and string quartet, the wind ensemble seems to be a less written-for group. Exceptions may include instances in which programs present notable pieces like Holst’s “First Suite” and “Second Suite” or Samuel Barber’s much-loved “Commando March,” but for all their merits, performances of these works remain infrequent.
(03/28/19 4:00pm)
While working with Habitat for Humanity in West Virginia over spring break, Steve, one of the supervisors at the work site, told me, “That’s the great thing about volunteering — it just needs to make you happy.” It was easy for me to understand Steve’s sentiment.