Producer Showcase: Jarreau Vandal and Edacs
Over the last few weeks, I’ve been constantly listening to music from two completely unique and distinct producers.
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Over the last few weeks, I’ve been constantly listening to music from two completely unique and distinct producers.
Nipsey Hussle was murdered a week ago. He was standing outside his clothing store, The Marathon Clothing, on Slauson Avenue, the street he grew up on in Los Angeles. He got into a confrontation with a man trying to enter the store. The man left, got a gun, came back and shot Nipsey.
I’ve said it before and I’ll say it again: T-Pain is back and in a big way. After his victory on The Masked Singer and the release of 1UP, his latest project, T-Pain has ventured on a national tour. The very first show of the tour was held last Wednesday at Rams Head Live!, and I, an intrepid News-Letter reporter, was lucky enough to go.
We’ve seen a lot of comebacks in the past few months. Lil Wayne was the first, and perhaps biggest, with the unlikely release (and even more unlikely success) of The Carter V album. Recently, we also saw Big Drako, AKA Big Soulja, AKA Soulja Boy push himself back into relevancy through sound-bite laden radio interviews, outrageous Instagram stories and the sale of illegal overpriced game consoles.
Hey you. Yes you, reading this article. Are you average? Are you dull? Do you get asked to take pictures but never get to be in them? Do people generally ignore you?
Tired of listening to the Spotify Discover playlists? Bored by the same artists that pop up on the top 100 charts? Want to become more well-versed in music? You’ve come to the right place. In this article I’ll lay out a simple road map that will turn you — a boring layperson who listens to lo-fi music while studying — into a well-respected, nay I say sophisticated, music fan.
You guys remember rock? The genre in which shirtless singers wear tight leather pants, do copious amount of drugs and are unabashedly cool? Rock has somewhat faded from the mainstream consciousness, but the music is far from dead. Last week, singer/songwriter Mike Krol, released one of the best rock records of this year: Power Chords. The project is loud, brash and still somehow grippingly tender.
James Blake makes good music. He’s been making good music for a long time. His first track, released back in 2009, “Air and Lack Thereof,” was a slapping dance song that he made in his bedroom. Since then the quiet, London-based producer dropped three fantastic albums, won the Mercury Prize and became one of the most sought after song writers, collaborating with pop icons such as Kanye West, Beyoncé and Frank Ocean. Blake is known for being your favorite artist’s favorite artist.
This week has been a fruitful one for hip-hop. There were a ton of big releases and great projects that dropped in a quick span.
In detail, write out exactly what happened to you today. I can almost guarantee your summary will be dull. Passionate, powerful experiences in life happen rarely. Luckily for us, humans have created an efficient way to experience excitement and passion: art.
No one expected this moment to come. Tha Carter V was one of those legendary unreleased albums, on the same level as Jay Electronica’s debut project and Dr. Dre’s Detox. After years of waiting, the historic moment finally came. This past Friday, Wayne released the fifth entry in the Carter series.
Open up YouTube, look up “Redbone Chopped and Screwed” and click on the first link. The thumbnail is a cover of Childish Gambino’s project “Awaken, My Love!” with a purple tint. Sit on a comfortable couch. Hit play.
On Friday, Sept. 14 JPEGMAFIA had his first show in Baltimore since his move to California. On his “The Reverse Christopher Columbus Tour,” Peggy stopped at one of his classic venues, the Metro Gallery — with the small Philadelphia band Joy Again.
It is devastatingly hard to lose someone close to you. In some cases, one can feel those same gut-wrenching feelings with the passing of someone they’ve never met.
Over the summer, a lot of music was released to little or no fanfare. The summer is usually when huge, blockbuster music is at the forefront, so the smaller, more unique projects get sidelined. Here are some of my favorite more underground projects from the past summer that you may not have heard.
I have long thought that Post Malone was underrated. His first song, “White Iverson,” blew up and he was almost universally considered a one hit wonder. But he kept making hits. He quickly built up a loyal fanbase. His first album — Stoney — was a great project. Each song on that album does something different and fun. Post found a way to do the thing that rappers had been trying to do for years: combine the country and rock aesthetic with hip hop.
The Spring Fair concert was destined to be a failure. The artist reveal disappointed people, and there were rumors of a heavy underselling of tickets. All around campus you could feel this general disinterest. Days before the concert, tickets were being sold for less than half of the original value.
As we near summer, more and more music continues to drop. Recently there has been a swell of releases, especially in terms of hip hop. Here are two records that haven’t been getting the coverage they deserve:
While there haven’t been too many great albums released recently, there have been a lot of great singles. So, here are some of my favorite songs that haven’t gotten enough exposure.
Earl Sweatshirt is the most underrated rapper in the game. In my opinion, he is the best contemporary rapper. Luckily for us, the Spring Fair team somehow got one of the most reclusive and quiet rappers to come and bless us with a performance. In expectation of his upcoming concert, here is a short introduction to the most talented man you’ve never listened to.