Reconciling political differences in friendships
In this week’s issue of Art and Activism, I will be taking a break from my regularly-scheduled programming (i.e. socially-engaged film and fiction) to talk about socially-engaged theatre, specifically the Barnstormers spring musical production of Cabaret. First performed in 1966, Cabaret focuses on a cast of characters in a seedy nightclub in 1930s Berlin. The German political scene is rapidly changing as an American man named Clifford Bradshaw falls in love with one of the nightclub’s dancers, an English woman named Sally Bowles.